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Matkaan magazine 8/2012
King of Contrasts
It’s the contrasts that make a happy life for Tuomas Holopainen, the captain of Nightwish.
The Nightwish keyboardist and song-writer Tuomas Holopainen arrives in the pub to the minute at the agreed time. He’s wearing dark jeans and a brown leather jacket, with a huge face of Donald Duck gazing from under it.
Nightwish returned a few weeks ago from its first European tour to promote the Imaginaerum album (2011) and has performed for more than a hundred thousand fans in large arenas. The world-class band’s every-day life on tour is often something between circus and chaos due to a large number of variables in play, and anything can happen. This is one of the reasons why Holopainen, when at home, enjoys quiet and unhurried free time.
“I like my mornings long. Nothing is as horrible as to wake up in a hurry,” says Tuomas.
Romantic Composer
When Nightwish was starting out as a touring band in the beginning of 1998, it had a sound technician and a single roadie. During the latest European tour, the technical crew amounted to 50 people. Three busses and four trucks are now required to transport the crew and the equipment.
“I feel compelled to make songs and to include extremely personal things in my lyrics; otherwise I cannot function as a member of the human species. It feels like my head is exploding and overwhelmed if I can’t get them out somehow. Then again, I take it to the extremes to keep my privacy. Sharing grief makes my own grief easier when 5,000 people are singing along to a very personal song during a gig.”
“That’s the only way keep music and lyrics genuine. Folks can relate to genuine feelings. People come up to me and say that this has given them comfort because I feel the same way. It makes me feel good when I have been able to touch and make an impact on others while not trying to touch and make an impact.”
Passionate Writer
An item on Holopainen’s to-do-list is currently a theme album based on Don Rosa’s comic album Life and Times of Scrooge McDuck, planned to be realized next year after Nightwish has returned from its tours. The album will mainly be instrumental, atmospherical music to be created with Pip Williams, Nightwish’s trusted orchestrator. This will be preceded by the premiere of Nightwish’s own Imaginaerum movie.
There have been many turning-point experiences along Tuomas’s career. One of the finest ones was the recording of the orchestral parts for the Once album (2004) in London. It was the first time when Nightwish cooperated with the musicians of the London Philharmonic Orchestra.
“I didn’t know what to expect. I only knew that they are really hotshot musicians and that Pip Williams is a legendary figure. The first song recorded by the orchestra was Ghost Love Score. It was an incredible experience. The guys had never even heard the song, they just played out of the sheets! I wetted my eyes and had to swallow a bit, it sounded so amazing. I never cry publicly, but there I was thinking ‘Oh bloody hell, I can’t believe this!’”
(Edit: I really had to add this one; Matkaan apparently shares content with Metro Live
http://metrolive.fi/jutut/artikkeli/...-nukkui-auton/, which has basically the same interview on its website, but includes the following detail that Matkaan leaves out and I find rather amusing. It's about the initially modest touring conditions compared with today's huge outfit.)
“In the early days, we drove to gigs with my dad’s car. The gear was in a trailer, and our guitarist Emppu slept in the trunk.”
(c) Pere
http://www.nightwish-osa.ezweb123.com/